To Free a Mockingbird
Theatre (comedy, solo show)
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Venue 241The Royal Scots Club - The Hepburn Suite
- 16:15
- Aug 24
- 1 hour 15 minutes
- Country: United States
- Group: Grace Aki
- Warnings and additional info: Audience participation, Contains distressing or potentially triggering themes, Scenes of sexual violence
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies are not allowed in the venue
- Policy applies to: Children under 2 years
Description
Written and performed by comedian Grace Aki, the award-winning solo show makes its international debut at the Edinburgh Fringe! She weaves a blend of storytelling and stand-up for a solo show packed with laughs and heart. Aki tells the story of how her family journeyed from Japan to the American South in an exploration of secrets and lessons on how stories get told. To Free a Mockingbird has been developed by Kate Robards, Michael Fling, SheNYC and Seth Barrish Instruction at The Barrow Group. Barrish directed Mike Birbiglia's The Old Man and the Pool and more.Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: Information not supplied
- Stairs: 20+
Wheelchair access type: Building Lift
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Valerie Terranova 125 days ago
I went in to watching To Free A Mockingbird with high expectations, as I'd heard so many great things from friends and colleagues, but for me, this show exceeded them.
Grace draws us in with her affable sense of humor, quick wit, and occasional dexterous banter with the audience. She has the great gift of making every specific aspect of her story she shares feel intimate and universally relatable.
I did not know where the story was headed, but when she brings us to the emotional climax, she does so deftly, sweeping us up in her honesty and vulnerability. The way this show transitions into these moments toward the end after the initial setup provided a huge payoff that hit me in the gut.
This show is one of those pieces that opened my heart, and reminded me of how precious life is, how we love others deeply with all their imperfections, and how grief changes and moves us but never really leaves.
I can't recommend this show enough and I hope more folks have a chance to see it elsewhere after this run!
Ashley Hufford 125 days ago
The Royal Scotts Club is the perfect venue for this show, but at first you don’t know it. It’s overly formal, a little stuffy, kind of cold, but the second Grace Aki takes the floor she warms the place up. She has you laughing, she’s bubbly - boarding on frenetic - as she tells you her story. She’s bouncing from vignette to vignette from character to character - using the energy of the room to fuel her and you are with her every single moment because that’s the kind of storyteller she is - captivating, vulnerable and extremely engaging.
The journey she takes you on takes time and you don’t always know where you’re going, but the destination is a worthy one. To Free A Mockingbird a story of family, of generational trauma from grandmother to mother to daughter, a story of deep love, and painful grief - but with many many laughs along the way… asnd why is the Royal Scotts Club the perfect location? well you’ll have to see this for yourself. I’m not going to spoil it.
Andrew K. 125 days ago
One of the most honest, authentic, and effective expressions of grief I've ever seen in theatre. As with many shows, I started off by asking, "Where is this going?" Unlike many shows, Grace leads us to a worthy destination -- and a devastatingly human one, at that.
Grace tells her story at the frenetic pace of a U.S. Southerner who has adapted to New York City sensibilities. Her buildup takes time, but the emotional payoff at the end is worthwhile.
To Free a Mockingbird is not a perfect show, but I don't think it needs to be. Grace's retelling of her family's generational trauma and her personal grief is incredibly raw, so it is naturally and imperfectly pocked with blemishes and scars. But much like the rest of the human experience, grief is best encountered in its rawest form, imperfections and all. And that is what makes Grace's show worth far more than the price of admission: it is incredibly human.
Haze 128 days ago
An absolute emotional rollercoaster of a show, told at 100mph, what a storyteller! Loved it, go and see!
Andrew Samtoy 135 days ago
In seven years of Fringe shows, I can't remember a single performance I have been captivated by, or enjoyed, more. It is funny, sad, emotional, raw, vulnerable, uncomfortable, relatable, and, most of all, a beautiful show about stories, memories, and the strange twists and turns that peoples' lives take. Grace's performance involves the audience in a wonderful way; she is an incredibly charismatic, charming performer who manages to connect with each member of the audience in a wonderfully intimate way. And more than anything, she translates emotion and feeling into every word, every phrase, every movement, and brings her experience of living to us. I was simultaneously surprised that only an hour had passed at the end, based on how much she had shared, and also felt as if she had only been talking for five minutes - it was incredibly captivating, and I hope she comes back in the future with more shows!
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
One4Review 136 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.