Rogues So Banished
Theatre (storytelling, horror)
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Venue 30Scottish Storytelling Centre - George Mackay Brown Library
- 20:00
- Aug 9-11
- 55 minutes
- Country: United Kingdom - Scotland
- Group: Paul Case
- Warnings and additional info: Themes of racism and colonisation, Portrayal of animal cruelty, Scenes of a sexual nature, Scenes of violence, Strong language/swearing
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 18 months
Description
New South Wales, 1790. The penal colony is on the brink of starvation. Three convicts escape with murderous intentions in hope of a reward. But as they become lost and dragged deeper into the forest, it's clear they are trapped in a nightmare of their own making… Told in the demotic slang of the era, writer and actor Paul Case's visceral new solo show breaks new ground in horror whilst taking you on a bloody journey into the dark depths of Australia's history. Praise for previous work: 'A masterclass' (Bristol247.com). 'The piece doesn't flinch' **** (TheWeeReview.com).Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: There is step free access at the John Knox House entrance of the building, the main entrance door for Storytelling Centre has 9 steps leading up to to it from street level. If not taking the lift there is then a total of 17 steps up to the library (9 steps, a landing, and then 8 additional steps). All guests enter library through same door once inside the building.
- Stairs: 20+
Wheelchair access type: Level Access, Lift (Building Lift)
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
Relaxed performances
- Dates: 8 August
- Booking options: You can book independently online, or contact our access team for more information or to discuss any accessibility requirements. Character Introduction Details
- Additional information: Audience members who leave the auditorium will be readmitted and latecomers will be allowed in. The performance will be sold to a maximum 70% capacity to ensure the auditorium isn't full. The performer will present a calmer version of the story will reduced shouting and energy.
Be aware that this show features:
- Characters expressing anger
- Permission to move around and make noise
- Show guide or synopsis or character list
Show does not feature:
- Total Audience Black Out
- Flashing Lights/Strobed Lighting
- Loud/repetitive/high pitched/unexpected or overlapping sound
- Distinctive smells
- Special effects (e.g. smoke/bubbles/pyrotechnics)
- Latex balloons
- Heavily dialogue-driven scenes
- Audience required to walk around
- Audience required to undertake directed movement
- Audience required to sing/speak along with/for performer
- Audience invited on stage
- Performer goes into audience area
- An intermission
- Audience chill out area
- Permission to engage with performer
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Taylor 50 days ago
Suffice it to say...Billy (one of the three characters) will always be etched into my brain. The storytelling was top-notch. It took me a minute to acclimate but once I found my bearings it was one hell of a ride. The actor bounced between the characters seamlessly. This man can spin a tale and is dripping with love for his craft. If you are someone who sees "Trigger Warning" and says sign me up, then you don't want to miss this.
Leo Avalon 53 days ago
Paul Case is doing a really hard thing in Rogues So Banished and he is doing it well. I can't imagine how much each of these performances takes out of him as he stands alone at the front of an intimate theater space to embody people of questionable character and passionate emotions who come to a bad end. Paul manages to make each of the three characters distinct in voice and physicality and plays them in quick succession even during heated dialogue.
I enjoyed the performance very much, but this won't be everybody's cup of tea. This is an adult horror story about transported convicts in Australia who get themselves into dire straights. They are not nice people; one definitely wants to hold them at arms length. Yet they are human. They have feelings the audience can identify with even as they take actions that offend the civilized sensibility.
This performance took a lot of courage and theatrical skill. It touches upon a piece of problematic history that we may be peripherally aware of but probably choose to ignore. I wonder why Paul decided to tell this story. I am also glad he did.
HJR 55 days ago
Fantastic show - my partner's choice as I'm not necessarily a horror fan but loved it every bit as much as he did. Brutal, visceral but most importantly beautifully written and told.
Joe Moss 57 days ago
Excellently told and enacted gruesome tale of the old Australian outback. Definitely recommended.
Paul Blanchfield 60 days ago
One man and three escaped convicts in New South Wales. Paul Case brings to life the visceral story of the men's quest for freedom in an unforgiving landscape. Well worth adding to your list of shows at this year's festival.
Sean Davis 61 days ago
Rogues So Banished (****)
We heard this story of the travails of three escaped convicts in the jungles of 19th century New South Wales penal colony right in small room with only eight audience members. The small crowd made it somehow like a group around a campfire hearing a ghost story—except this seemed like an absolutely true story of deprivation and resourcefulness. The text, his bare chested visage, and his movements made the story come alive with nary a dull moment.
This is the 6th most enjoyable of the 32 shows I have seen so far at the Fringe this year. I hope to see more than 150 this year. You may see my other three-sentence reviews, in order from most enjoyable to worst, at my non-commercial website: https://fringefan.com/
andy meechan 63 days ago
Paul Case embodies three distinct characters, weaving their fates together to culminate in a final scene that takes them out-of-time. Very folk horror indeed.
The scripting is tight: a one-man show rendering a tale that seamlessly includes flashbacks. It is also steeped in the language of the time, which takes the viewer into the elsewhere.
The tale is challengingly visceral at points; Case is compelling throughout.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
The Quinntessential Review 46 days ago
The British Theatre Guide 58 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.