Psyche
Theatre (drama, poetry)
-
Venue 39theSpace on the Mile - Space 1
- 13:15
- Aug 9-10
- 50 minutes
- Country: Hungary
- Group: The Broadcast Studios
- Warnings and additional info: Contains distressing or potentially triggering themes, Scenes of a sexual nature and violence
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 18 months
Description
Psyche, a Romani countess and poet, wanders across Europe during the Napoleonic era in a chauvinistic society that challenges her independence. The first English translation of a one-woman show adapted from the Hungarian book Psyche: Writings of an Erstwhile Poetess by Sandor Weores, written in 1972 under the Soviet regime of Hungary as a pamphlet of censorship. A volume of poems, prose and various documents in which Weores created a fictitious poetess (his own alter ego) living at the beginning of the 19th century, completely recreating the language, style and manners of the period. A self-cleansing in 60 minutes.Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: Information not supplied
- Stairs: 6 - 10
Wheelchair access type: Platform Lift
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
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- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Paul Ashley 158 days ago
An engrossing and mesmerising performance….I was gripped to the end. The rendition of the original in English was superb poetry, and the acting was sensual and atmospheric. I wonder if there is a longer (non Fringe) version? And now I know who Für Elise was composed for ( and how it was first performed)
Cathryn Norris 158 days ago
I wasn't sure what to expect, but was so pleasantly surprised with this performance.
Initially, we saw a poster and were very much drawn in by the atmospheric imagery it conveyed. Stella Abel is a highly accomplished actor, who manages to capture your attention right from the beginning. Acting with such strong sensuality, I was mesmerised throughout. The stage set and lighting, although simple, were incredibly effective. I hope this talented young group achieve the success they deserve with this performance.
James Gordon 158 days ago
A compelling solo performance, sometimes hard to follow in detail but this doesn't detract. (I am fairly familiar with early 19th century Mitteleuropa, not at all with the 1972 Hungarian source for this show.) Intense and darkly funny, and there's a hilarious rendition of Beethoven's "For Elise" which it is tempting to call mouth music, by which I do not mean puirt a beul.
Adrian Goldman 158 days ago
A powerful, inventive solo performance of a complex, challenging script. The performance has an epic sweep - in one way it reminded me of Virginia Woolf's 'Orlando' brought to life in 50 minutes in a bathtub. *****
Mary McDermott 160 days ago
By turns comedic and tragic; intense throughout. The actress wonderfully embodies the fictional poetess through many stages of life--from a young child to a grown woman. She also skillfully navigates the multi-lingual script, making the meaning of the language clear whether in English or Hungarian.
The choice to set the piece in a washroom emphasizes the deeply personal subject matter. The character bathes herself while recounting the exploits of her life. One of the best shows we've seen in our years at the Fringe!
Nick Molloy 160 days ago
This was one of the best solo performances I've ever seen, highly recommended.
The sheer scale of imagery conjured from its star actor Stella Abel was vivid, compelling, sexualy charged, brutal, but also humerous at times.
Pure storytelling at its finiest. ⭐⭐⭐⭐⭐
Francis Nance 161 days ago
A tour-de-force monologue, Stella Abel grabs your attention from the start. Sometimes dark, sometimes hilarious, this is storytelling of the highest order. She overcomes the limitations imposed by the venue, an intense, utterly watchable, performance. See it if you can.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Broadway Baby 161 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.