Piskie

Theatre (new writing, dark comedy)

  • Accessibility:
    Audio enhancement system
    Wheelchair Accessible Toilets
    Captioning
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years
Please note, latecomers may not be admitted.

Description

'If you follow someone down a path you don't recognise, you risk not being able to find your way back.' When Ouida was a child her father sleepwalked out of the house... never to return. Ouida suspected her imaginary friend "Burt" led him astray, but her family insisted he'd abandoned them and she must give up all notions of imaginary things. Years later, Ouida is a respected therapist debunking the irrational and fantastic... But what will you believe? This beautiful, darkly comic story about magic versus cynicism leaves audiences charmed – and just a little bit spooked.

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Audio enhancement system
    Wheelchair Accessible Toilets
    Captioning
  • Accessible entry: Once in the Courtyard, standing facing the Royal Dick pub take the alleyway to the left. Walk past the left-hand side of the Yellow Tent in front of you and through the Double Doors. Cairns Lecture Theatre is up a flight of stairs. The Access Route requires Duty Manager Assistance from the reception of the main building, consisting of an escort up the main lift, through the galleries, into a platform lift, through the Dissection room and onwards to Cairns. Please contact [email protected] if you would like to use this accessible route.
  • Wheelchair access type: Permanent Ramp, Temporary Ramp, Lift (Other)

  • Stairs: 20+
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


Captioned performances

  • Dates: 6 August, 22 August
  • Type: Open
  • Booking options: You can book independently online, or contact our access team to book your tickets and request any specific seating locations or if booking a unit is required.

How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Ian Tomb 17 days ago

An absolute gem. Sometimes the most courageous artists are the subtlest. Watching Piskie was like reading William Trevor: everything in the details. Flesh and blood characters sculpted one gesture, one slip of the tongue at a time. A picture slowly revealed. I went to see Piskie because I was interested in the themes on the tin; it is about magic and cynicism, but it is also much more than this.

John Rayment 17 days ago

Beautiful. I wept for the hope.

Jon Smith 21 days ago

In her play Piskie, Lucy Roslyn plays psychologist Oudia Burt, giving a talk on her case studies debunking belief in the irrational. From this rather unpromising premise, the play soon opens out into much more, with witty asides and digressions into her childhood on Dartmoor. In particular, her relationship with her father and an imaginary piskie, a West Country version of a pixie, come to the fore, leading to a moving conclusion. Lucy is a superb performer and the show is one of the best I have seen on the Fringe this year.

FORREST BARNUM 22 days ago

I bought a ticket to this show last minute and really loved it! The concept of a highly rational individual questioning reality is excellently realized by both actors with minimal but effective stage effects. If you like gently spooky, emotional, and thought-provoking shows take a punt on a ticket!

Leo Avalon 23 days ago

This was a masterful piece of theater, minimal set and props, and intelligently crafted script. My deepest complements to Lucy Roslyn and her supporting performer whose name I wish I knew so that I could invoke both names with praise and gratitude for the heartfelt and polished performance. Subtle meaningful gestures, affecting characterizations, and clever bits of stage magic made this show beautiful to watch.

Caroline Smith 31 days ago

I loved this show. Booked on a whim. So compelling and I was drawn into the story. Incredibly well acted and written. Go see it.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

BroadwayBaby (4/5 stars) 20 days ago

A charming, funny and thoughtful play about hope

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PlaysInternational.org.uk (4/5 stars) 22 days ago

Piskie’s greatest strength, however, lies in its inspiring perspective on imagination.

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Edinburgh Guide (4/5 stars) 27 days ago

A magical and uplifting tale

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Theatre Weekly (5/5 stars) 31 days ago

Truly a charming little show and a brilliant way to start a day off at the Fringe this year. Piskie is vulnerable, moving, and whimsical.

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Fringe Review (4/5 stars) 34 days ago

Piskie is a powerful, pleasantly spooky theatrical experience, showcasing Lucy Roslyn’s impressive emotional range.

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The Student (5/5 stars) 35 days ago

What starts off as the most compelling psychology lecture I’ve ever attended morphs into a beautiful story of loss and belief, and by the last “Chin up Ouida lovely,” I was holding back tears. Piskie is a sprinkle of magic at this year’s fringe, and I am going to be thinking about this show for a long time.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.