Non-Player Character: Live Virtual Reality Musical
Musicals and Opera (interactive, improv)
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Venue 572Imaginex at YOTEL Edinburgh in association with ZOO - Imaginex
- 21:00
- Aug 26
- 55 minutes
- Country: United States
- Group: Brendan Bradley / Maurice Soque Jr / Michael Morran
- Warnings and additional info: Audience participation
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 2 years
Description
'A flawless blend of Broadway, games, pop and comedy bliss!' (Fame Magazine). When the hero character of a video game dies, an NPC turns to the audience for help navigating their grief. Part live concert, part escape room, part immersive theatre, each performance is entirely responsive to the player style, improvisation and decisions of the audience. Four audience players join writer-performer Brendan Bradley on stage, wearing virtual reality headsets while the virtual world and characters are projected on the big screen, inviting both theatre and game lovers to a new kind of play.Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: Information not supplied
- Stairs: Information not supplied
Wheelchair access type: Wheelchair accessible (please contact the venue for more information)
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Agnes 19 days ago
A fun new concept to fuse VR with musical theatre, but executed disappointingly. Although he didn’t wear it at the very start, the presence of the VR set on the main NPC guy at the front made it difficult to create a connection between players and audience. And with the players also in VR sets doing things which were not explained to the audience, it seemed pretty pointless to be there as an audience member, as the NPC man pointed out to an audience member at the start of the show - ‘why would you come to an interactive musical and be in the audience?’. We were told we could be interactive with the players through a site on our phones, but all this amounted to was giving them virtual rocks. In the time I stayed to watch, the only singing or acting was by the NPC person, none by the other partakers. It wasn’t explained why we had to tell each player/actor they were going to die, and it all felt somewhat like a lived-out fantasy of a 6-year-old/as if we were parents of a swimming class watching from the cafe when the cafe actually can’t see the pool really at all. Cool concept though! And impressively stage managed remotely.
Abi 20 days ago
I found this deeply frustrating.
It was a poor 'let's play' and a poor musical.
It's clear that a lot of thought went into it from a technical standpoint, but it isn't a show, it's a tech demo - its place at an Arts festival (and for £15 at that) is genuinely baffling.
JOYCE 24 days ago
My team and I went to see this show, Brandon is such a strong performer! great music! and fun! Very Impressed with the musicianship of Maurice Soque Jr. as well! Well done!
Michael D 25 days ago
The concept was exciting. The opportunity for audience members to participate was intriguing, however, when I went, it seemed very clear that the “audience members” were not randomly selected (audience participants would most likely spend more time talking over each other) and the row of “audience” behind us that were able to sing along before the actor sang a melody seemed planned also. It was difficult to hear and understand the actor throughout.
John 26 days ago
Loved the opening. And how they dealt with technical issues. For a while I thought the issues were part of the show they handled it so well. The end was too preachy for my taste. I’ll probably forget about that and only remember the neat concept in a few years.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Glasgow2024.org 32 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.