Divided

Theatre (new writing)

  • Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years

Description

When their daughter announces that she wants to transition, a couple find themselves divided in their attitudes and judgements. The mother – who has always seen herself as inclusive – struggles with losing a daughter and gaining a son. The father is horrified by her rejection of their child's wishes and identity. Can this tight-knit family find a way to unite and heal the divide or has too much damage been done already? Can they celebrate their child's new identity and move forward together as a family?

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Accessible entry: Information not supplied
  • Wheelchair access type: Building Lift

  • Stairs: 20+
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Bernie Cullen 124 days ago

This was an amazing show which had me totally hooked. A really clever, perceptive script, which tackled a serious issue yet had humorous elements. The situation was very well observed and most of the dialogue was natural, every day language between a couple, which made it relatable and believable. Brilliant acting from the male and female leads, Michael and Kate, who had good onstage chemistry. Also a riveting performance from the talented young Charlie MacSween, who sang a beautiful solo.

angela nansera 127 days ago

This was a tender, touching drama that was carefully balanced to immerse you into the topic and backstory as well as engaging you to sensitivity of the unravelling tension. It was exceptionally moving and so brilliantly well acted with the beautiful solo halfway and the overlayed voice of the characters' child throughout.

It is what true drama is all about; to make you think, learn and be opened to exploring uncomfortable/sensitive topics in such an accessible way.

100% recommended and full praise to the writer/director creating such high quality talent.

Chris Grady 127 days ago

Once in a while I catch a play where the topic feels necessary and, in hindsight, a slightly unexpected audience feels exactly right to hear the arguments and dilemmas explored on stage. Divided tackles transitioning from the viewpoint of two confused and loving parents where the shock of the news rocks a 16yr foundation in bringing up their only child. We are offered some quite toxic polarised but maybe shock induced misunderstanding and by taking that stance we see a much wider demographic of denial and fear which polarises the readers and makers of the media. I feel there is really useful dramaturgical work to be done on this play going forward, and I'd love to see it have a further life exploring how the three protagonists cause division and change in the other two. I wanted some of the tough stuff to land a little more with this respectful but quiet audience. I loved being in the Royal Scott Club theatre and sensing a flow of audience from the hallowed halls of the club into a Fringe adventure. Congratulations to Divide Productions and I hope some "blue lanyards" head north into the New Town to take a look. In case reviewers or promoters do visit PLEASE have a programme, castlist, or somewhere on the Web where we can find the company. I'm sorry not to be able to name and praise the third member of the company.

jane jones 128 days ago

Beautifully written and moving. Opens the mind to perspectives and emotions in the complex trans debate. Great acting. Thought provoking and balanced. A triumph. Special mention to Charlie who's singing is superb. A must see.

Rebecca Gordon 128 days ago

Excellent play. Kitchen sink drama for anyone but especially those who might want (need?) to see how the trans experience affects real lives. I didn’t expect to be moved by this but I was. Excellent writing and powerful acting. I highly recommend it.

Anna B 129 days ago

Came to the show with my teenager! WE both loved it. The venue was amazing and the actors (all three) were so professional. We agreed that this was why we love the Fringe and come for our trips here in August. As a mum I often worry am I too old to talk about this kind of thing. But no!. It was a thoughtful play that got me and teen talking all afternoon. Now thats bonding x

Jamie K 130 days ago

Just seen the first performance of this play, excellent!. A couple are slowly disintegrating in front of our eyes as they struggle with a child who wants to transition. Here it is mum who has the doubt, the questions of her attitudes to a world changing around her, her own loss of a daughter and gaining of a son. It is the dad who provides acceptance, debate and reason, maybe even unconditional love for his child. But whilst this happens they drift apart.

Whilst the acting was powerful, natural and believable - it was the writing that made the play worth watching. With debates in the country being shouted down and a fear of difference NOT being discussed, this play sensitively touched on issues, views, and the reality of parenting without a manual (to steal a line). The child was always present, but often a distant voice, not heard over the couple. Until....well, I won't spoil it.

It was thoughtful and brave theatre. It is what the Fringe is all about and plays like this, for what they are, when acted so well, deserve high praise. I thoroughly recommend it!


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

All Edinburgh Theatre (4/5 stars) 124 days ago

Both Reddington and Kate Macsween (who also penned the script) handle their difficult roles well, with Reddington in particular standing out in moments when his character feels forced to choose between wife and child, and the passion he brings to Saul’s defence while still trying to be a partner to his wife.

Read the full review


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

Please login to add a review


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.