Dido and Aeneas

Music (classical, opera)

  • Accessibility:
    Wheelchair Accessible Toilets
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years

Description

Join Coro 24 as they return to the Edinburgh Festival Fringe performing Henry Purcell's operatic masterpiece in this magnificent setting. The small vocal ensemble and band will be directed from the harpsichord by Neil Metcalfe, with Holly Gowen as Dido, Matthew Fulton Peebles as Aeneas and Maggie Kinnes as Belinda. Not to be missed!

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General venue access

  • Wheelchair Accessible Toilets
  • Accessible entry: Temporary ramp over the 3 steps up at the front door. Then level into the performing space.
  • Wheelchair access type: Temporary Ramp

  • Stairs: 2 - 5
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

There are no audience reviews for this show.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

All Edinburgh Theatre (3/5 stars) 94 days ago

Fife Opera’s stripped-down production of Henry Purcell’s Dido & Aeneas in the airy stained-glass nave of Edinburgh New Town Church, is small in scale but sacrifices nothing in emotion or vocal quality.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.