Bambiland (written by Elfriede Jelinek)
Theatre (contemporary, solo show)
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Venue 82ZOO Southside - Studio
- 21:30
- Aug 25
- 1 hour
- Country: Austria
- Group: Peter Lorenz and Jelena Bašic
- Warnings and additional info: Contains distressing or potentially triggering themes
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 2 years
Description
In the game of televised warfare, it is unclear who's allowed to say 'we' anymore. One toy land is turned into another. Nobel Prize winner Elfriede Jelinek’s text dismantles the global media war machine as accounts of Iraq's invasion collapse into a child refugee’s memories of the Bosnian War. The violent act of representation is played back before our eyes on video and we find ourselves immersed in this battle of toy soldiers. It all comes back around, especially the wars.Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: Level access via rear entrance, 10 steps from street if not taking accessibility entrance.
- Stairs: 6 - 10
Wheelchair access type: Level Access
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Mai Tran 25 days ago
I was moved to tears by this show, while still being able to laugh within all the depth and grief and anger that it elicited in me. The combination of Jelinek's play and the performer Jelena's own experiences made it a multilayered political and personal account. Whithin its personal and specific narration, I could relate and identify and therefore I think it reaches out to many other war-contexts in our times now. Within its sadness there was a strong sense of empowerment.
Aude Naudi-Bonnemaison 25 days ago
Masterfully performed. Truthful. Haunting.
If you want a show that will make you stop and think look no further.
In this performance, the audience is taken on a journey through the Bosnian war but the themes hit just as true to any war in which the people, and specifically children, are used as warfare currency.
Through playful, childish moments, the performer seamlessly shares personal memories of the war and leaves you with a lot to reflect upon.
The set is her warzone the props, children's toys, she uses to bring to life a haunting tale.
One of the most impactful moments and one that stays with you is when Jelena asks: "Is it better that way?" after staying silent. Is ignorance truly bliss? Can we continue living away from silent voices of the oppressed?
Truly unique and impactful.
Chiara 28 days ago
This show unsettled me and brought me to tears, in the best way. Jelena captured the stage and the audience and made sure she didn't let us go til the show wrapped. The camera work and audience involvement hit a perfect balance, and helped in maintaining the very particular atmosphere for a very particular exploration of anti-war sentiment.
Sammy Ardron 29 days ago
An incredibly movie and unique piece of theater, wonderfully performed by Jelena Basic. I really enjoyed the creative use of sound, lighting and camera work and Jelena's strong storytelling. Highly recommend!
J Edelman 30 days ago
One of the most potent antiwar plays I’ve ever seen. It’s not gory and it’s not politically naive and it’s not simple minded. It doesn’t tell you what to feel. But I’ve never seen so clearly the sheer horror and void of war. Not an easy watch but a must watch
Liam Thorpe 30 days ago
Gripping, uncomfortable, moving.
An exceedingly relevant, raw look at the human stories of war that are tragically ignored, glossed over or omitted from much of our modern media.
Written in 2004, in the wake of the illegal invasion of Iraq by US and European forces, this interpretation has been skilfully adapted into a one woman show depicting the experience of the lead’s (Jelena Bašic) childhood throughout the conflict in Bosnia. That said, the play’s essence can be applied to any of the wars presently unfolding.. the dulled inhuman ignorance of war machines that kill remotely via users 100 or 1000 miles away.. the shipping of citizens to front lines for causes they may or may not believe in.
Be prepared for a rollercoaster as Bašic lulls you into a narrative on how we perceive the suffering of war in safer lands distant from conflict, before dragging you into the reality of her own (and other’s) experience; and back again…
Fae Gerlach 30 days ago
An important, deeply moving show. Jelena Basic's performing and the use of light, visuals and sound is outstanding. The show has a raw intensity, the stage falls into an effectful chaos but there are also moments of poignant humour and hope. I highly recommend.
Misha Somerville 31 days ago
An incredibly thought provoking reflection of the world through the eyes of both child and adult surviving the wars we see all too commonly. Deep and dark, but somehow also illuminating and playful. You might never see a more personal and heartfelt performance.
Inés Álvarez Villa 34 days ago
Last night I went to see Bambiland with a friend. What an experience! It was raw, uncompromising, and enthralling. The show had an interesting way of using technology and everyday objects. Jelena Bašić commands the stage with ease. She is powerful and captivating. At some points the play is harrowing - even disturbing, but there are also tender moments and a few laugh-out-loud moments.
I loved it and I highly recommend it!
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British Theatre Guide 13 days ago
Theatre Travels 32 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.