The Van Paemel Family

Theatre (multimedia)

Venue 82
ZOO Southside - Main House
12:40
Aug 27
1 hour 15 minutes
Suitability: 14+ (Guideline)
Country: Belgium
Group: SKaGeN – Valentijn Dhaenens
Warnings and additional info: Strong language/swearing, More information

Accessibility:

May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
Babes in arms policy: Babies do not require a ticket
Policy applies to: Children under 2 years

Description

Discover this iconic Flemish play by Cyriel Buysse. Through the lens of a story set in 1903, it dissects our Western world where, to this day, classes and communities don’t speak the same language, and where oppression by the one percent has resulted in a fierce social struggle. These past 12 years, Dhaenens has travelled the world with the hit monologues BigmoutH and SmallWaR. In his latest show, Dhaenens recreates a major Flemish theatre classic by seamlessly slipping into 13 different characters to engage in a dialogue with as many digital individuals.

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

Accessible entry: The level access is via the rear or the builiding. There are 16 steps from the street level to the seating.

Wheelchair access type: Building Lift

Stairs: 11- 20

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info

How and when to make an access booking

Phone: +44 (0)131 226 0002
Email: [email protected]
Textphone: +44 (0)7860 018 299
Find out more about access at the Fringe.

Our access tickets service is available to anyone who:

Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
Requires extra assistance when at a venue
Has specific seating requirements
Is a wheelchair user
Requires a complimentary personal assistant ticket to attend a performance

Snap Judgement 30 days ago

★★★★★

THE GOOD
* Solo Show Innovation. One performer takes on all roles with the clever use of projections, magnifying character presence, often quite literally.
* Universal Sentiments. After 100 years the realities of Belgian peasant life still resonate.
* Subtitles Incorporated. They didn't just translate; they added texture to the narrative.

THE NOT SO GOOD
* Peaked in the Middle. Adjustments could be made to maintain momentum till the end.
* An Acquired Taste. Seasoned theatre-goers will likely appreciate more. I loved it.

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My Instagram for more reviews like this: @snap.judgement.reviews

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Tony Arn 32 days ago

Absolutely stunning. Aside from the historical interest of seeing a very early 20th century play that I'd be unlikely to encounter, the sole performer does a brilliant job with a wide variety of characters, whether he is playing them live on stage or in the filmed segments. Impossible to explain in a brief review the brilliant use of film, but I have never seen anything like this. Ivo van Hove and his partner should take a look at this, given their seeming obsession with using video, even when it simply distracts or detracts. Absolutely one of the highlights of the festival for me.

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JM 41 days ago

This was a fantastic performance. The staging was so creative. I really enjoyed the thoughtful pacing, the classic yet timely story—everything. Thought provoking and enjoyable.

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