Taiwan Season: Monster

Dance, Physical Theatre and Circus (contemporary, international)

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  • Dance Base - Studio 3
  • 17:15
  • Aug 25
  • 40 minutes
  • Suitability: 12+ (Guideline)
  • Country: Taiwan (Republic of China)
  • Group: Dua Shin Te Production
  • Warnings and additional info: Nudity
  • Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 18 months

Description

Described by choreographer Yen-Cheng Liu as a psychedelic fantasy, Monster is a daring, intense and quite possibly mind-blowing questioning of one’s sense of self. Created for his company Dua Shin Te Production, Liu uses symbolic props, spoken and written text, a carefully chosen soundtrack and an explosion of motion to help pick apart the mystery of individuality. Because everything on stage has a purpose, everything seen and heard there is also a clue. Playing sober games with time and identity, Liu’s uncategorisable adventure might lead you to discover the dear, fierce and vulnerably human monster inside yourself.

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General venue access

  • Accessible entry: Information not supplied
  • Wheelchair access type: Building Lift

  • Stairs: Information not supplied

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Steve Hewitt 90 days ago

An awful show, with almost no dance content and what little there was, it was clumsy and talentless. Don't waste your time and money.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

To Do List (4/5 stars) 96 days ago

That unique kind of Fringe show that leaves you perplexed but intrigued…Monster is the kind of show that could leave you thinking about it for days – it is a strange experience for sure! Described as a ‘psychedelic fantasy’ and abstractly addressing time, the self and the monster inside, the...

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FringeReview 97 days ago

Predicated on the idea that all is not simple in life, this piece of movement and installation takes us through the creation of a space, its movement within and how the environment shapes the people within it and how they, in turn can affect the environment in which they find...

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Exeunt 98 days ago

Monster by choreographer Yen-Cheng Liu is almost as much a visual art installation as it is a work of dance. Into a completely black space a series of white objects are slowly added: a telephone, a large ball wrapped in white paper, a set of loud hailers on elongated white...

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The Wee Review (5/5 stars) 99 days ago

You probably won’t like Monster. This reviewer certainly didn’t. It’s described by its creator as ‘a psychedelic fantasy’ and the audience are greeted by a barrage of warning signs as they enter the auditorium. Strobe lights, smoke machines, bad language, bare bums. It’s like the road to the Wicked Witch of...

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Fest (3/5 stars) 99 days ago

The set is being assembled when the audience enters the dance studio – it takes about five more minutes. Monster literally begins as a work in progress. As Yen-Cheng Liu’s voice blares out from the horn loudspeakers, a haze descends over the stage. The masked figure of Yu-Fan Liu holds...

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Edinburgh Guide (4/5 stars) 103 days ago

This is the Edinburgh Fringe – there's a clue in the name 'Fringe' meaning on the edge, the periphery, none mainstream. Taiwan Season: Monster is radical in its conception and avant-garde in its form and shape. It is exactly what the Fringe was built for. There is no standard beginning,...

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.