Mastication

Dance, Physical Theatre and Circus (performance art, physical theatre)

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  • Accessibility:
    Hearing not needed
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years

Description

Drawing on Bullen’s experience of post-traumatic stress disorder, this confessional and multidisciplinary work will transport you through an autobiographical experience. A range of behavioural tendencies are explored through a grotesque, expressive movement language. Paul Scott Bullen is an artist who is living, breathing and moving in the backwaters of his mind. Investigating his body, mind and soul. Paul’s performances aim to capture that personal stress, that trauma, that suffering that is so hard to articulate. This work is an exploration of the loss of a brother and a mother in a visceral work of deep darkness.

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Hearing not needed
  • Accessible entry: Up a large, wide staircase.
  • Wheelchair access type: Not fully wheelchair accessible

  • Stairs: 20+
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Adam John Roberts 60 days ago

An autobiographical reflection on loss (that is ever developing with further investigation) and an effectiveness of vocal, narrative sound supported by natural sounds from the next room with attention to objects and an unintentional reminder of "Rosemary's Baby" (1968).


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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.