Lucy Beaumont: Space Mam

Comedy (stand-up)

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  • Accessibility:
    Audio enhancement system
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies are not allowed in the venue
  • Policy applies to: Children under 2 years

Description

The hugely anticipated new show from Best Newcomer nominee. Lucy feels she's finally turned into a real woman and she's ready to shout about it. Join her for an hour of proper belly laughs, unique off-beat humour and surreal anecdotes about bubblewrap, boxing and tits. Oh, and do you believe in UFOs? Writer and co-star of Radio 4's To Hull and Back. As seen on Married to a Celebrity, QI, Dave's Ultimate Warrior and Brian Cox's Infinite Money Cage. 'The stage Beaumont is a riot' (Scotsman). 'Devastating comic-timing' (Stage). 'Perfect for the times' (Guardian).

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Audio enhancement system
  • Accessible entry: Queue in courtyard. For access via locked lift ask staff or at Box Office.
  • Wheelchair access type: Building Lift

  • Stairs: 20+
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

This show has chosen to opt out of audience reviews.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

One4Review (3.5/5 stars) 87 days ago

It has been a long five years since Hull born comic Lucy Beaumont performed at the Fringe and a lot has happened in that period she has moved to Surrey, had a baby and now moved back up north into … Read More...

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The Skinny (4/5 stars) 89 days ago

Motherhood is a tricky subject to tackle in comedy right now, as it feels like everyone and their mum (sorry) has chosen to make it the central theme of their work. However, Beaumont is clearly aware of this: making sure that any motherhood material takes up five minutes at most...

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The Scotsman (3/5 stars) 94 days ago

Enjoyably blending down-to-earth tales of motherhood with more fantastical musings, to the extent of positing the existence of aliens, it’s telling that Lucy Beaumont offers two very different accounts of how she became a comedian, and they’re both equally outlandish. ...

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Edinburgh Festivals Magazine (3/5 stars) 97 days ago

A smart, brave and endearing concept which could really take off, but for the time being remains grounded on planet earth. Forty-five minutes in the company of Lucy Beaumont with her homemade anecdote...

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The List (4/5 stars) 105 days ago

A warm and lively stage return for this Hull native...

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The Wee Review (3/5 stars) 105 days ago

From the start, Lucy Beaumont transports the audience of her new show, from the Pleasance Courtyard to a small and cosy venue in Hebden Bridge. Beaumont begins by assigning various audience members the names and personalities of characters from the small village. Throughout the show, she calls back to these...

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Fest (3/5 stars) 107 days ago

“Did you just hear a weird noise?” So asks Lucy Beaumont after applause from next door's show spills over into hers. She's evidently unaccustomed to audiences showing enthusiasm on a similar scale, but this is testament more to a slow-burn, observational approach than any lack of ability on her part....

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.