Julius 'Call Me Caesar' Caesar

Theatre (comedy, new writing)

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  • Accessibility:
    Wheelchair Accessible Toilets
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years

Description

Double Edinburgh Comedy Award nominee Andrew Maxwell (Live at the Apollo; winner: Time Out Live Award, ***** (Herald, for Showtime)) makes his theatre debut playing... everyone, in a world premiere by Fringe First Award winner Owen McCafferty ***** (Stage, for Unfaithful). Directed by Russell Bolam ***** (Entertainment Weekly, for Kafka for Kids). Join the crowd as Shakespeare's classic is re-imagined as a chaotic, comic tale of democracy, backstabbing and front stabbing.

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General venue access

  • Wheelchair Accessible Toilets
  • Accessible entry: Patrons enter the building via either 3 shallow steps or the platform lift. Please note the platform lift is only suitable for manual wheelchairs and not power wheelchairs. The Big Yin can be accessed via the building lift to the 3rd Floor. The Accessible toilet is located in the Basement. Please make yourself known to a member of staff (in a pink t-shirt) if you require assistance or require a specific seat.
  • Wheelchair access type: Building Lift

  • Stairs: Information not supplied

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

This show has chosen to opt out of audience reviews.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

The List (3/5 stars) 80 days ago

Andrew Maxwell debut play is a 'laurel' laughs...

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The Scotsman (3/5 stars) 82 days ago

An unusual, ambitious and very enjoyable double act emerges in this new piece of writing from Belfast playwright and sometime Fringe First winner Owen McCafferty, which reimagines Shakespeare’s Julius Caesar as a blethering shaggy dog story told in an Irish pub to a half-interested audience of regulars, demanding that ever-more-elaborate...

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The Stage [paywall] (3/5 stars) 84 days ago

You don’t get much Shakespeare at the fringe – something about five-act tragedies not quite fitting into the average hour-long slot – but when you do, they tend to be radically reimagined. That’s definitely true of Julius “Call Me Caesar” Caesar, Owen McCafferty’s one-man version of Shakespeare’s Roman play. Russell...

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British Theatre Guide (4/5 stars) 91 days ago

Here we are in for a bit of storytelling (an understatement). We are told upfront. A human Cliff-Notes or Wikipedia. Andrew Maxwell, at full volume and full speed ahead, takes on all the characters as well as a kind of “chorus” in the telling of Julius Caesar as rewritten by...

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Chortle (4/5 stars) 94 days ago

This is quite fabulous: Andrew Maxwell displaying his acting chops in Owen McCafferty’s excellent re-imagining of Julius Caesar. Mixing some Shakespeare with contemporary language this made accessible and understandable what, for me, is one of the duller Shakespeare plays. Anyone who has been lumbered with doing it for A- level next...

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Fest (3/5 stars) 94 days ago

Emerging in overalls splattered in blood, or perhaps just paint, Andrew Maxwell begins reciting the words of Shakespeare, a significant departure for the irreverent Irish stand-up. And it remains one, even as he abruptly dismisses the florid poetry and poise for an earthier, more down-to-earth tone and his usual direct...

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.