Hello, The Hell: Othello
Dance, Physical Theatre and Circus (theatre, physical theatre)
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Venue 20Assembly Rooms - Ballroom
- 13:40
- Aug 27
- 1 hour
- Country: Korea, Republic Of
- Group: Creative Jakhwa / Korean Season presented by AtoBiz Ltd
- Warnings and additional info: None
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 18 months
Description
Millions of years after Othello killed Desdemona, Othello and Iago are living an endless, repetitive life in Hell. Punished for the sin of the past with recurring, relentless nightmares whenever they close their eyes, their bodies fade a little more each day. Until one day, Iago realises how to escape their terrible predicament. Hello the Hell: Othello by Jakhwa Creations, is inspired by Shakespeare’s tragedy and newly interpreted to focus on the afterlife of the characters, recreated with a fresh narrative and creative physical theatre.Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: There is lift access into the performance space. If not taking the lift there are 23 steps into the venue.
- Stairs: 20+
Wheelchair access type: Building Lift
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Marc Pimbert 45 days ago
Brilliant! This was a stunning, beautifully performed, gripping piece of physical theatre. Superb acting and staging.
It is by far one of the best things we’ve seen at the Fringe.
We loved it. Thank you!
Neil 50 days ago
I enjoyed this for what it was: a character study on the 3 main characters of Othello, taking place after the end of the original play. The story was told with an interesting mix of theatre and dance, all performed on an incredible set design. Would recommend for anyone who enjoys the original play.
Tobias 52 days ago
A captivating, visually stunning piece with forceful acting. The Korean actors chose to still perform in Korean, with the original Shakespeare era text displayed high above the stage (with the third line of text unfortunately often invisible due to stage implements) but even for non native English speakers the meaning of the scenes is still quite clear (and the Korean is a lot more colloquial and approachable than the Shakespearean original). The large space in a beautiful venue perfects the experience.
Jennifer Ortega 55 days ago
Absolutely stunning, beautiful and haunting. A story about what hell would be like if you murdered your wife in a jealous rage and the demons took you to hell. The music and set design are eerie and powerful. The actors physical movements eloquently conveyed the anguish of Desdemona and Othello. Thank you, Thank you, Thank you for creating a beautiful theater piece.
Loretta Hope 56 days ago
This performance is visually stunning and very dynamic. The imagery and choreography is beautiful and the lighting and music is fantastic.
Dee Tee 57 days ago
Beautifully staged, intense and dynamic.
This would be visually enthralling for anyone, whether familiar with the Shakespeare or not, but is both satisfying and revelatory for those who do know the original play.
Note : in Korean with English surtitles.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.