Die or Run

Theatre (comedy, political)

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  • Accessibility:
    Wheelchair Accessible Toilets
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years

Description

The 1980s. Prime Minister Margaret Thatcher has pronounced that 'there is no such thing as society'. Die or Run is about society and politics, self-help and anxiety, big hair and 80s disco, and looks at how our mental health has been influenced by political ideology. Praise for Free Show (Bring Money) by Hannah Ringham (Shunt) and Glen Neath (Darkfield): 'Ringham plays the audience for all she is worth... she made about £70 an hour the night I was there – and yes, she was worth it.' **** (Lyn Gardner, Guardian).

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Wheelchair Accessible Toilets
  • Accessible entry: Information not supplied
  • Wheelchair access type: Wheelchair accessible (please contact the venue for more information)

  • Stairs: Information not supplied

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Shirley Clark 94 days ago

Stunning characterisation, deliberately painful pauses, shared recollection and laughter, what more do you need. And all from a chance encounter. Loved it.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

The Stage [paywall] (4/5 stars) 89 days ago

Hannah Ringham is dancing on her own. Spinning around the expansive, empty stage in red kitten heels. Arms pumping, she yells as each new tune starts “I love this one!” Every anthem is embraced as a favourite, even when they seem to be weird remixes– just a snatch enough to...

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Exeunt 94 days ago

History repeats itself. Fashions are forever being reinvented under the lens of nostalgia. Old bands enjoy an uptick in royalties as they find themselves rediscovered by new listeners. Political ideologies are embraced, rejected, then repackaged for subsequent generations. We struggle to recreate childhood comforts when we’re scared and sad, and...

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.