Call Me Elizabeth

image of event
Add to favourites

Theatre (solo show, drama)

  • Accessibility:
    Wheelchair Accessible Toilets
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 18 months

Description

Fresh off her 1961 Academy Awards triumph and a recent brush with death, Elizabeth Taylor is struggling with her hardest role yet: herself. An intimate look at the movie star’s early life, career, and loves as she grapples with the culture of celebrity and her place as Hollywood’s brightest star. 'Brilliant! A must-watch for any Elizabeth Taylor fan!' ***** (EdFringeReview.com). 'Captivating! A brilliantly polished production!' (ThreeWeeks). 'A shattering, exquisite performance that should not be missed' (ChicagoTheatreReview.com).

Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].

General venue access

  • Wheelchair Accessible Toilets
  • Accessible entry: Via a door from street level and a lift.

    • Wheelchair access type: Temporary Ramp, Lift (Building Lift)

  • Stairs: Information not supplied

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info

How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

John French 97 days ago

This was a brilliantly written monologue. It was performed so well (how does anyone remember a 50 minute speech without stumbling once?).
I must admit to not being a huge Elizabeth Taylor fan - but this gives an insight into her mind, the way the film business worked, and the thinking at the time.
Huge value for money. Please could you come back next year with part two?

Report abuse

Linda Chanut 98 days ago

Flawless. Captivating. Loved every minute

Report abuse

Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

West End Best Friend (4/5 stars) 97 days ago

It's a heartfelt, embodiment of an icon.

Read the full review

Arts Reviews Edinburgh (4/5 stars) 98 days ago

To hold an audience’s attention for a dialogue driven show like this is a skill in its own right and Kayla Boye achieves this with ease

Read the full review

Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

Please login to add a review

Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.