Beautiful Evil Things
Theatre (devised, physical theatre)
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Venue 23Pleasance Dome - QueenDome
- 15:40
- Aug 27
- 1 hour 15 minutes
- Country: United Kingdom - England
- Group: Ad Infinitum
- Warnings and additional info: This show contains strong language, references to sexual violence, violence, death and handles distressing or potentially triggering themes. There will be flashing lights and fast moving lighting effects but no strobe.
- Accessibility: May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 2 years
Description
Multi award-winning Ad Infinitum (Odyssey, Translunar Paradise, Ballad of the Burning Star) returns with a breathtaking retelling of the Trojan War. Enter Medusa. Monstrous gorgon? Snakes for hair? A turn-to-stone glare? Perhaps. She was there – head strapped to the shield of a goddess. Her forever-open eyes saw it all, but Medusa’s petrifying gaze focused on three extraordinary women, the key to her ultimate hope. Beautiful Evil Things is a new, high-energy, one-woman tour de force combining physical storytelling with cut-throat wit. One of The Guardian’s Best Theatre of 2022. **** (Guardian). **** (Stage). **** (Morning Star).Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: Main queue inside Dome at left of building. 5 steps up to the space or Level access to left of venue — ask staff for assistance.
- Stairs: 2 - 5
Wheelchair access type: Level Access
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
Signed performances
- Dates: 11 August, 13 August, 15 August, 16 August, 19 August
- Booking options: You can book independently online, or contact our access team to book your tickets and request any specific seating requests in relation to the location of the interpeter.
Captioned performances
- Dates: 11 August, 15 August, 16 August, 19 August
- Type: Open
- Booking options: You can book independently online, or contact our access team to book your tickets and request any specific seating locations or if booking a unit is required.
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
This show has chosen to opt out of audience reviews.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
North West End UK 32 days ago
Pugh moves with agility and even ferocity, commanding the stage like a true Gorgon
Everything Theatre 32 days ago
Powerful acting.
ThreeWeeks 36 days ago
Great technique and a big personality.
Theatre Thoughts 39 days ago
One of the most unique performances of the Fringe, led by a powerhouse performer
British Theatre Guide 44 days ago
Directed by George Mann with a thrilling sound design by Sam Halmarack and dramatic lighting by Ali Hunter, this engaging production belongs to the immense, charismatic talent of Deborah Pugh.
Binge Fringe 47 days ago
Beautiful Evil Things is a passionate, raw exploration of Greek mythology through the eyes of someone who holds no loyalty to its heroes.
Playbill 51 days ago
Beautiful Evil Things is a visceral piece of storytelling. Pugh performs Medusa’s story with wit and such texture that the energy of the room rises and falls with her through every intentional flick of a hand or pause for a breath.
Fringe Review 51 days ago
Dazzling, high octane, entertaining show that everybody can appreciate. See this captivating performance while you can.
Edinburgh Festivals Magazine 51 days ago
Fierce and captivating re-telling of Greek mythology.
Starburst 51 days ago
Pugh is a master storyteller; they would make even Homer envious. The performance, much like the tales themselves, is legendary.
The Arts Desk 51 days ago
Blisteringly energetic solo show from veteran Fringe company Theatre Ad Infinitum.
The Scotsman 51 days ago
Dynamic, illuminating and hugely entertaining.
The Skinny 51 days ago
In a riveting, energetic and vulnerable monologue, Deborah Pugh transforms into the decapitated Medusa.
Edinburgh Guide 52 days ago
The piece is cleverly devised, and the performance can only be described as epic.
Theatre Weekly 53 days ago
With its epic story-telling and powerful script, we are captured heart and soul by the sheer force of energy on stage.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.