Ayman Jarjour, Syrian Guitarist

Music (classical, world music)

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  • Accessibility:
    Audio enhancement system
    Wheelchair Accessible Toilets
    Sight not needed
    May not apply to all performances. You'll find more information about accessibile performances and how to book tickets in the accessibility tab below.
  • Babes in arms policy: Babies do not require a ticket
  • Policy applies to: Children under 2 years
Dates, Times and Prices

Description

The concert includes music with Middle Eastern, Latin American, European and African flavours. Ayman studied in Syria, Spain and Juilliard. He has performed worldwide in places ranging from Carnegie Hall in New York to refugee camps in Lebanon and Jordan. His programmes can be solo, chamber music or concertos with orchestra. Ayman grew up in Damascus and is now based in Scotland. He is involved with many charities working to help refugees and people affected by the war in Syria. He plays an instrument made by Egyptian luthier Jean-Paul Haggar.

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General venue access

  • Audio enhancement system
    Wheelchair Accessible Toilets
    Sight not needed
  • Accessible entry: Accessible entry is on the left from main doors. If not taking the ramp there are a few steps from the pavement to the main door.
  • Wheelchair access type: Permanent Ramp

  • Stairs: 2 - 5
    Number of stairs is provided as guidance and is not in addition to any wheelchair access type (lift/ramp etc) stated above.

Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info


How and when to make an access booking

Our access tickets service is available to anyone who:

  • Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
  • Requires extra assistance when at a venue
  • Has specific seating requirements
  • Is a wheelchair user
  • Requires a complimentary personal assistant ticket to attend a performance

Christine McDerment 20 days ago

Saw Ayman last year and loved his chill-out hour of classical guitar, but this year's show was even better. He took us on a world tour of guitar music from different periods, from Russia to South America via Syria, and the sounds he was able to get out of his guitar were extraordinary. Thoroughly enjoyed it and would recommend it to anyone.


Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

ThreeWeeks (4/5 stars) 16 days ago

There was no hip hop – that was a mistake in the Fringe Programme – so I turned my baseball cap the other way round and settled down for an hour of classical guitar. Villa-Lobos’ ‘Prelude Number One’ was delicate and lyrical; the meter so cleverly interpreted I was on...

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

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Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.

Dates, Times and Prices