35MM: A Musical Exhibition
Musicals and Opera (musical theatre, photography)
-
Venue 29Paradise in The Vault - The Annexe
- 12:30
- Aug 12
- 1 hour 30 minutes
- Country: United Kingdom - England
- Group: Musicality
- Warnings and additional info: Contains distressing or potentially triggering themes, Scenes of violence, Strong language/swearing, More information
- Babes in arms policy: Babies do not require a ticket
- Policy applies to: Children under 2 years
Description
Love, death, dream, betrayal, angels, time... This song cycle is eccentric, haunting and wonderfully curious. Each song springs from a photograph and the stories come alive in a mix of horror, comedy and an unmissable score. Hold still... focus... for there is life. At its heart, 35MM is a queer love story between a composer and photographer. UoN’s Musicality return to the Fringe with hits like The Ballad of Sara Berry, Leave Luanne and more! 'West End quality on local stages' (Kev Castle). 'Phenomenal vocal abilities… gorgeous harmonies… fantastically funny' **** (Everything-Theatre.co.uk).Please note that while all media gallery content is provided by verified members of the event, the Edinburgh Festival Fringe Society does not review or approve this content before it is posted. Reports of inappropriate content or copyright infringement can be directed to [email protected].
General venue access
- Accessible entry: The Annexe is located next door to The Vault. Audiences leave the main foyer onto Merchant Street then access the Annexe via the Pend. There are 2 - 3 steps in the Pend then a narrow staircase inside the space. The audience enters at the rear of the raked auditorium.
- Stairs: 6 - 10
Wheelchair access type: Not fully wheelchair accessible
Each venue can contain several space with different accessibly information. Visit the venue page for full venue accessibility info
How and when to make an access booking
- Phone: +44 (0)131 226 0002
- Email: [email protected]
- Textphone: +44 (0)7860 018 299
- Find out more about access at the Fringe.
Our access tickets service is available to anyone who:
- Would like to book specific accessibility services, e.g. a hearing loop, audio description headsets, captioning units, seating in relation to the location of the BSL interpreter
- Requires extra assistance when at a venue
- Has specific seating requirements
- Is a wheelchair user
- Requires a complimentary personal assistant ticket to attend a performance
Raine Valentine 47 days ago
This is one of the best student performances I've seen at the End Fringe in a LONG time!
All 5 performers on the cast are SO talented! You can tell that a lot of work and effort has been put in by all the cast members to create such a wonderful show.
The show has everything! Stunning vocals, wonderful acting and some great dance moves!
I highly recommend that you treat yourself to seeing 35mm!!!
Alyssa Donahue 48 days ago
Was so pleasantly surprised by this show! Went in knowing it was a song cycle and put on by young performers but do NOT let their ages fool you. Filled with powerhouse voices and beautiful story telling. The whole show was so tight and as a performer myself I found myself wondering how long it took to rehearse with how difficult the material is. Just shows the level of dedication and passion! Highly recommend!
Maz Jack 48 days ago
A brilliant show - truly original and with some talented up-and coming actors from UoN. The vocals were superb and each singer sang truthfully, I believed every word. If you are around, check this one out - its a really great piece of different, exciting musical theatre!
Jonah Black 48 days ago
Plenty to love about this. It is certainly a challenging sing, and the five strong cast gave it their all, only really struggling in the very upper reaches. I’d much rather people chose challenging work than play it safe. All 5 voices had moments to shine; particularly beautiful was ‘The Seraph’, a great comedy number in ‘The Ballad of Sarah Berry’ and a stirring epic highpoint in ‘Leave Luanne’. If you want polish go and see some bland Lloyd Webber. If you want viscerally thrilling noise, I’d recommend spending 90 minutes with these guys.
Cameron 49 days ago
I can see the vision of this show but either due to the lack of experience or the lack of of direction this didn't really work. Performers sounded like they were often singing outside of their range and stage direction felt random at the best of times.
Nick 50 days ago
came to watch this show with a friend, and it was awesome! each person was musically amazing and made me feel so much emotions. our doll got a head pat :))
i had only heard the ballad of sara berry before but now i have the entire soundtrack on loop. def reccomend
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
British Theatre Guide 45 days ago
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.
Participants - for further details on our audience and published review policies, including how to add or opt out of reviews, please click here.